News Archive: September 2005
This is an archive of news articles from September 2005. Current news articles can be found here and an archive index can be found here. Information in this archive may no longer be valid.
| Specification: Jųrlunde Kirke | |||
| Hovedvęrk | Svellevęrk | ||
|
Gedakt Principal Traversflųjte Tectus Octav Flųjte Octav Mixtur III1 1/3' Trompet |
16' (Wood) 8' 8' (Harmonic from f') 8' (Wood, old) 4' (old) 4' (Wood, old) 2' 1 1/3' (19.22.26) 8' |
Rųrflųjte Fugara Vox Angelica Gemshorn Schweizerflųjte Nasat1 1/3' Cornet IV Oboe Tremulant |
8' 8' (old) 8' (Tenor C) 4' 2' 1 1/3' 4' (8.12.15.17) 8' |
| Pedalvęrk | |||
|
Subbas Principalbas Bordun Octav Flųjte Basun Octav-basun |
16' (Wood) 8' (from Great) 8' (ext. Subbas) 4' (from Great) 4' (from Great) 16' (Wood) 8' (ext. Basun) |
Stops marked "old" are by Demant and date from 1870. Tectus is an old name for a Gedakt. | |
Jųrlunde Kirke, © Frederik Magle. Click on either picture for a bigger version
| Specification: Denmark's Radio Concert Hall | |||||
| Grand-Orgue | Positif Expressif | Pédale | |||
|
Principal Bourdon Montre Principal Flūte harmonique Bourdon Viole de Gambe Grande Sesquialtera Prestant Flūte traversičre Quinte2 2/3' Septičme2 2/7' Doublette Neuvičme1 7/9' Cornet Fourniture Bombarde Trompette Clairon |
16' 16' 8' 8' 8' 8' 8' II (5.10) 4' 4' 2 2/3' 2 2/7' 2' 1 7/9' III-IV (12.15.17) VI (2') 16' 8' 4' |
Flūte Principal Flūte traversičre Quintaton Flūte ą cheminée Salicional Unda Maris Prestant Cor de chamois Quinte 2 2/3' Flūte ą bec Tierce 1 3/5' Larigot 1 1/3' Septičme 1 1/7' Plein-jeu Cor Anglais Cor dharmonie Clarinette Tremolo |
16' 8' 8' 8' 8' 8' 8' 4' 4' 2 2/3' 2' 1 3/5' 1 1/3' 1 1/7' V (1') 16' 8' 8' |
Contre Bourdon Montre Flūte Basse Violon Soubasse Basse décho Grande Quinte Octave Flūte Violoncelle Bourdon Grande Tierce 6 2/5' Quinte 5 1/3' Septičme 4 4/7' Flūte Neuvičme 3 5/9' Cornet Mixture Contre Bombarde Bombarde Basson Trompette Baryton Clairon |
32' 16' 16' 16' 16' 16' 10 2/3' 8' 8' 8' 8' 6 2/5' 5 1/3' 4 4/7' 4' 3 5/9' IV (19.22.24.26) V (15.19.22.29.33) 32' 16' 16' 8' 8' 4' |
| Récit Expressif | Accessories | ||||
|
Bourdon d'amour Violoncelle Flūte harmonique Gambe Voix céleste Bourdon Prestant Fugara Flūte octaviante Nasard 2 2/3' Octavin Carillon Harmonia aetheria Bombarde Trompette harmonique Basson-Hautbois Voix humaine Clairon harmonique Tremolo |
16' 8' 8' 8' 8' 8' 4' 4' 4' 2 2/3' 2' II (17.22) III-VIII (2') 16' 8' 8' 8' 4' |
Octave Graves to I and III II to I (16' and 8') III to I (16 and 8') IV to I III to II (16' and 8') IV to II IV to III All manuals to pedal, plus I and III to pedal at 4' pitch. Melody couplers: II-I (Alto) and IV-I (Soprano) | |||
| Solo Expressif | |||||
|
Stentorfon Solo Gambe Grosse Flūte Flūte octaviante Nasard harmonique 2 2/3' Octavin Tierce harmonique 1 3/5' Piccolo harmonique Royal Trumpet Tremolo Tuba magna Tuba mirabilis Cor harmonique |
8' (double mouth) 8' 8' I-II 4' 2 2/3' 2' 1 3/5' 1' 8' (unenclosed) 16' 8' 4' | ||||
From left to right: the console, pre-restoration; pipework (Diapason, Diaphone, Tibia); more pipework being racked (the slim Violin pipes and the Tibia pipes with their large, leathered mouths); the traps; and the theatre auditorium. Click on any picture for a larger version.
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